Minghua Xiang’s artistic practice investigates the aesthetics and philosophical concept of “Becoming” within a Posthumanist framework, drawing upon Queer Theory and the notion of Abjection to interrogate the boundaries of identity and challenge anthropocentric paradigms.
Informed by modern micro-molecular aesthetics, Taoist, and Zen philosophies, Xiang proposes that “Becoming” represents the dynamic interconnectedness and symbiotic relationships inherent in the universe. Through a fusion of traditional Chinese splash-ink techniques and Western gestural abstraction, Xiang translates this abstract philosophical concept into a tangible aesthetic experience, with a creative process mirroring the Taoist and Zen principles of unity with nature.
Guided by the concept of ‘Becoming’, Xiang’s practice prompts a critical examination of the limitations of traditional Eastern and Western aesthetic categories. Aiming to foster active collaboration within contemporary discourse, exploring the rich interdisciplinary implications of “Becoming” across aesthetics, politics, philosophy, religion and modern science.
In the context of the Anthropocene, ‘Becoming’ offers an ethical and methodological framework that envisions a more inclusive society—one that recognises the inherent value and complex interdependencies of all entities. Through Minghua Xiang’s work, he seeks to inspire hope for a future characterised by human solidarity and active engagement in promoting ecological harmony.
